Goodbye World
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Goodbye World is a 2013 American apocalyptic film directed, co-written and co-produced by Denis Henry Hennelly. It stars Kerry Bishé, Caroline Dhavernas, Adrian Grenier, Gaby Hoffmann, Ben McKenzie, Scott Mescudi and Mark Webber. It follows a group of friends who gather at a compound in the woods north of San Francisco while the world is collapsing all around them.
The film had its world premiere at the 2013 Los Angeles Film Festival on June 15, 2013.[1] It won the award for Best Feature at the New Hampshire Film Festival on October 19, 2013.[2] Shortly after, Samuel Goldwyn Films and Phase 4 Films jointly acquired all United States rights in October 2013.[3] It was released in theaters and on iTunes on April 4, 2014.[4]
Rotten Tomatoes, a review aggregator, reports that 24% of 25 surveyed critics gave the film a positive review; the average rating was 4.4/10.[5] Metacritic rated it 36/100, which indicates generally unfavorable reviews.[6] Inkoo Kang of the Los Angeles Times called it \"an unconvincing, poorly conceived hybrid of end-of-the-world thriller and relationship drama\".[7] Nicolas Rapold of The New York Times, in comparing it to a TV drama, called the characters overwritten and the story oblivious.[8] Stephen Farber of The Hollywood Reporter wrote that the film plays out like a soap opera and should have focused more on suspense.[9] Scott Foundas of Variety called the characters \"the whiniest, most self-entitled [protagonists] this side of the worst mumblecore movie you barely remember seeing.\"[10] G. Allen Johnson of the San Francisco Chronicle called the characters annoying and unworthy to survive the apocalypse.[11] Amongst the few positive reviews, Mark Adams of Screen Daily called it \"engagingly performed, beautifully shot and always absorbing\",[12] while Katie Walsh of Indiewire called it an \"entertaining and realistic\" film with varying levels of characterization.[13]
Creative artists, particularly those working in what some academics still call \"the plastic arts\" have this understandable tendency to write themselves into their visions of the apocalypse. I guess everybody who imagines the end of the world prefers to imagine him or herself as the, or one of the few, survivors of that end. Scarcity and other challenging conditions will prove a test of one's mettle, and one's mettle almost always is up to snuff when it's being tested in the imaginative realm. Except when you need to make a really crucial point, at which time you are permitted to imagine your own failure, and then imagine it somehow being righted.
Not being able to control Kanii or Kumade or explore their world at all makes it very difficult to connect with the story of Goodbye World. While its message about the challenges of independent game development is increasingly poignant, the packaging around that theme fails to captivate. The metagame Blocks, on its own, is equally plain, and the feeling I'm left with after rolling credits is largely one of disappointment. In spite of its interesting conceit, parting with Goodbye World isn't really sweet sorrow.
This painted animal bone is a cynical yet affectionate tribute to the threatened animal world. A memento mori painted by the Berlin artist, it also succeeds as a hybrid of colorful painting and morbid sculpture to show existing contradictions in dealing with the climate catastrophe: a new branch of industry and a commodity on the one hand, a disastrous process on the other, and ultimately a fatal spectacle which art and journalism also capitalize on.
Shamanic politics is playing a crucial role in driving macrosocial transformation: animism is inspiring planetary legislation to criminalize ecocide, while novel cultural techniques for overcoming solastalgia are also emerging: Joulia Strauss helps us search for spiritual peace with the assistance of an ancient Greek lyre. Through enharmonic tunes of tragedy, she sings farewell to the world in the indigenous languages of Shipibo, Khmer, Gumatj, Konkani, Sanskrit, Ancient Greek, and the language of her tribe, Mari. May the God of the Vanished Ice Sheets melt us and place us again in the cosmic cycle of sacred diversity. (statement by the artist)
Through deft juxtapositions of image, text, and digital detritus, Kholeif presents a visceral take on the strange implications of a world in which images, politics, subjectivities, and affects are recombined in a post-internet era. An Arcades Project for the twenty-first century.
We see the world from the perspective of Kanii, an independent game developer who befriends an artist after her previous creator circle split apart on bad terms. Together, her and her new friend Kanade create a game together while in school that wins a student creator award, and decide to go in together on developing a commercial product after they finish school. They move in together, get part-time jobs, and start work.
If the country really were in the throes of chaos and disorder after a cyberattack had knocked out the nation's computer networks and power grids, the problems of eight little people wouldn't amount to a hill of beans in this crazy world.
Frankly, they're rather obnoxious - good candidates for a little natural selection, if you catch my drift. In the end, \"Goodbye World\" doesn't have much to say about our society; the cyberapocalypse seems more like a gimmick than an interesting way to examine the fate of the world.
End of the world movies are coming our way thick-and-fast, varying from slacker comedy (This Is The End) to romantic-drama (Seeking A Friend For The End Of The World) and not to mention horror flicks too numerous to mention, but the engagingly offbeat indie film Goodbye World takes a different tack, mixing The Big Chill friendship angst with ruminations on the world falling apart.
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When the mysterious message crashes millions of computers worldwide, global infrastructure collapses and the world enters a tailspin. As airports shut down and law and order flags, eight friends reunite at a hillside house in NorCal, where old relationships are tested and old flames rekindled over wine, locally grown produce, and some marijuana, until the outside world comes tumbling in. 59ce067264
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